| Artists A-Z .::Art::. |
<>TAG : SOUS-VEILLANCE - NL
ARTSCIENCE : HITCHING A RIDE / AS IF FESTIVAL - NL
BRAM VREVEN : VLOEI FLOW I, II AND III - FR / BE
CHANNA BOON : LIMPIAR EL MUSEO - NL
DAAN BRINKMANN : LINES - NL
DICK RAAIJMAKERS : GRAFISCHE METHODE FIETS - NL
GODSPILL (Global Darkness, Crème Organization) / LIKE ANY RELIGION YOU NEED SALVATION AND WE NEED YOUR CASH - NL
IEF SPINCEMAILLE : A TOPOS - BE
INFLUENZA (JEROEN JONGELEEN) : A LITTLE MOVEMENT - NL
JIACONG JAY YAN : WE ONLY COME OUT AT NIGHT - CN / US
JURIAAN MOOLHUYSEN : PURE NATURE - NL
KRISTINA KERSA : I SING AS THE BIRD SINGS - EE / NL
LAB[AU] : 16n - ƒ5³ - BE
LAB[AU] : PIXFLOW#2 - BE
LAB[AU] AND FREDERIK DE WILDE : EOD02 - BE
LIEFHERTJE & DE GROTE WITTE REUS - NL
LUST : ARTIFICIAL RAINBOW - NL
LUST : BLUE LIGHT DISTRICT - NL
LUST : TODAYSART FLARE - NL
MARCUS GRAF & ANDREA REYES ELIZONDO : I, BALL / NARCISSUS POOL / ONE VS 20.000 / - NL
MARK FORMANEK & DATENSTRUDEL : STANDARD TIME - DE
MAXALOT : PROCESSING LIGHT - NL
MISS HECKER - DE
NO MAN'S LAND? - NL
PABLO VALBUENA : AUGMENTED SPACE - ES
PICTOPLASMA : CHARACTER COLLISION ARMY - DE
PICTOPLASMA : CHARACTERS IN MOTION - DE
RASTER-NOTON : WHITE LINE LIGHTS - DE
RAYMOND DEIRKAUF + BEYOND EXPRESSION_LAB : RAYS V2.0 - NL
RENÉ UIJLENHOET : SON OF WIRED LIFE - NL
RYOICHI KUROKAWA : PARALLEL HEAD - JP
SEBASTIEN WIERINCK : ENTUBER LA HAYE - BE / FR
STAALPLAAT SOUNDSYSTEM, MIKE RIJNIERSE, ACHIM WOLLSCHEID, MARK BAIN AND ERIK HOBIJN : STATION TO STATION - NL / DE
STATE OF SABOTAGE : PASSPORT PERFORMANCE / TYPING POOL - AT
TELETEKST IS DOOD : CREATIVE OVERDOSE - NL
TJERK STOOP : STATLAB#2 - NL
V2_ & DI MAINSTONE : SHAREWEAR - NL
XAVIER VAN WERSCH AND THIJS SCHEELE : FRUIT POWER - NL
ARTSCIENCE : HITCHING A RIDE / AS IF FESTIVAL - NL
BRAM VREVEN : VLOEI FLOW I, II AND III - FR / BE
CHANNA BOON : LIMPIAR EL MUSEO - NL
DAAN BRINKMANN : LINES - NL
DICK RAAIJMAKERS : GRAFISCHE METHODE FIETS - NL
GODSPILL (Global Darkness, Crème Organization) / LIKE ANY RELIGION YOU NEED SALVATION AND WE NEED YOUR CASH - NL
IEF SPINCEMAILLE : A TOPOS - BE
INFLUENZA (JEROEN JONGELEEN) : A LITTLE MOVEMENT - NL
JIACONG JAY YAN : WE ONLY COME OUT AT NIGHT - CN / US
JURIAAN MOOLHUYSEN : PURE NATURE - NL
KRISTINA KERSA : I SING AS THE BIRD SINGS - EE / NL
LAB[AU] : 16n - ƒ5³ - BE
LAB[AU] : PIXFLOW#2 - BE
LAB[AU] AND FREDERIK DE WILDE : EOD02 - BE
LIEFHERTJE & DE GROTE WITTE REUS - NL
LUST : ARTIFICIAL RAINBOW - NL
LUST : BLUE LIGHT DISTRICT - NL
LUST : TODAYSART FLARE - NL
MARCUS GRAF & ANDREA REYES ELIZONDO : I, BALL / NARCISSUS POOL / ONE VS 20.000 / - NL
MARK FORMANEK & DATENSTRUDEL : STANDARD TIME - DE
MAXALOT : PROCESSING LIGHT - NL
MISS HECKER - DE
NO MAN'S LAND? - NL
PABLO VALBUENA : AUGMENTED SPACE - ES
PICTOPLASMA : CHARACTER COLLISION ARMY - DE
PICTOPLASMA : CHARACTERS IN MOTION - DE
RASTER-NOTON : WHITE LINE LIGHTS - DE
RAYMOND DEIRKAUF + BEYOND EXPRESSION_LAB : RAYS V2.0 - NL
RENÉ UIJLENHOET : SON OF WIRED LIFE - NL
RYOICHI KUROKAWA : PARALLEL HEAD - JP
SEBASTIEN WIERINCK : ENTUBER LA HAYE - BE / FR
STAALPLAAT SOUNDSYSTEM, MIKE RIJNIERSE, ACHIM WOLLSCHEID, MARK BAIN AND ERIK HOBIJN : STATION TO STATION - NL / DE
STATE OF SABOTAGE : PASSPORT PERFORMANCE / TYPING POOL - AT
TELETEKST IS DOOD : CREATIVE OVERDOSE - NL
TJERK STOOP : STATLAB#2 - NL
V2_ & DI MAINSTONE : SHAREWEAR - NL
XAVIER VAN WERSCH AND THIJS SCHEELE : FRUIT POWER - NL
KRISTINA KERSA : I SING AS THE BIRD SINGS
(EE / NL)
[visual art, film]
@ FILMHUIS (ROOM 5) ......... FRIDAY, SATURDAY - CONTINUOUS
http://www.workspace08.nl/intro.html
In the installation "I sing as the bird sings" (2008), the private idiosyncratic act of listening to a singing bird becomes the artist's own gesture. The epitome of a gesture in life, as that of the finching (vinken) contest practiced in Belgium, is an action set on repeat by the force of life; this force is best understood by repeating the act itself. Each projection in the installation portrays a man sitting on a chair in the outdoors, listening to the caged bird in front of him. For an hour long, during which the frame is constant, the image is altered only by occasional passers-by, and a viewer is submerged in a tune of the singing bird only when approaching each individual projection.
[visual art, film]
@ FILMHUIS (ROOM 5) ......... FRIDAY, SATURDAY - CONTINUOUS
http://www.workspace08.nl/intro.html
In the installation "I sing as the bird sings" (2008), the private idiosyncratic act of listening to a singing bird becomes the artist's own gesture. The epitome of a gesture in life, as that of the finching (vinken) contest practiced in Belgium, is an action set on repeat by the force of life; this force is best understood by repeating the act itself. Each projection in the installation portrays a man sitting on a chair in the outdoors, listening to the caged bird in front of him. For an hour long, during which the frame is constant, the image is altered only by occasional passers-by, and a viewer is submerged in a tune of the singing bird only when approaching each individual projection.